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MNM Nexus: An Accounting App as a 30-Second Vertical Demo

An accounting app is hard to make exciting. For MNM Nexus we skipped the stock footage and let the app's own screens tell the story, in 30 vertical seconds.

Lucian Budeanu · CEO & Founder

· 6 min read

MNM Nexus · Your PFA, in one app9:16 · 30s · Romanian

For MNM Nexus, an accounting app for rideshare drivers in Romania, we made a 30-second vertical demo out of the app’s own screens: a question for drivers on the first frame, one feature per caption, and a score cut to every tap. The captions carry the story with the sound off, and every number on the phone is the app’s own demo data.

This case study covers the brief, why the demo had to work muted on a phone, the film scene by scene with its Romanian copy translated, what we left out, and a checklist other app makers can reuse.

The client and the brief#

MNM Nexus is an app that keeps the books for rideshare drivers who work as a PFA, the Romanian status for a self-employed sole trader. The app tracks income and receipts, estimates the year’s taxes, warns before the CAS threshold, pre-fills payment orders and keeps the PFA’s documents in one place.

MNM Nexus already had a vertical presentation of the app: 27 seconds of still slides, with no sound. The brief was a better replacement: a 30-second vertical demo for drivers, with the hook in the first second, then the real app screens building up, from income to the tax alert, tax estimates and paperwork.

We delivered one film in 9:16, at 1080 × 1920 and 30 frames a second, in Romanian, with an original score. MNM Nexus agreed to let us show it here and on our client work page.

The challenge: a tax app, on a phone, with the sound off#

The demo had four problems to solve at once.

  • The subject is dry. Accounting is numbers and forms. Nothing in it moves unless you make it move.
  • The screen is small. On a phone, every caption competes with the app it describes.
  • The sound is often off. Many people scroll muted, so the story has to read without the music.
  • The numbers are money. In a finance app, a made-up user count or a real driver’s details on screen would undo the film.

A plain screen recording tends to bring small text, a busy account and taps with no rhythm. So we rebuilt the screens instead.

The film, scene by scene#

The film is in Romanian, for drivers in Romania. Here is what each caption says, and what the phone shows.

TimeOn screenIn English, and on the phone
0 to 4 sConduci pe Uber sau Bolt? Contabilitatea PFA-ului tău, pe pilot automat.Driving for Uber or Bolt? Your PFA’s accounting, on autopilot. The phone rises with the app’s start screen.
4 to 8 sTot PFA-ul tău, într-o aplicație.Your whole PFA, in one app. The home screen builds and the month’s income counts up to 15,240 RON.
8 to 12 sTe anunțăm înainte de pragul CAS.We warn you before the CAS threshold. A banner, “You’re nearing the CAS threshold”, drops in; a tap opens the taxes screen on the threshold bar.
12 to 18 sTaxele, estimate automat.Your taxes, estimated automatically: income tax, CAS, CASS, then payment orders already filled in.
18 to 22 sActele PFA, în ordine.Your PFA’s paperwork, in order. The profile fills in, then a card flags two missing documents: a driving licence and a professional certificate.
22 to 24 sVenituri. Taxe. Acte.Income. Taxes. Paperwork. Three phones fan out and fold into the three diamonds of the logo.
24 to 30 sContabilitatea PFA-ului tău de ridesharing, pe pilot automat.Your ridesharing PFA’s accounting, on autopilot. Then mnmnexus.ro and “Available on the App Store and Google Play”.

CAS and CASS are the pension and health contributions, as the app labels them. The CAS threshold is the yearly profit above which, the app explains, the pension contribution becomes mandatory. An OP is a payment order, which the app pre-fills for paying taxes to ANAF, Romania’s tax authority.

What we made, and why#

A hook on the first frame. The first words are on screen from frame zero, so the feed never shows an empty frame. They name the platforms drivers work for, with “Uber” and “Bolt?” in the biggest type in the film, underlined in the app’s violet.

The real screens, rebuilt from the app’s code. We rebuilt the start, home, taxes and profile screens in HTML and CSS from the app’s SwiftUI views, with the colours from its theme file and the logo from its own mark. The interface text stays exactly as the app writes it, without Romanian diacritics (“Taxe si contributii”); only our captions use them. Rebuilt screens stay sharp at full size, and every number can count up on the beat.

Big captions for sound-off feeds. One idea per caption, in heavy type at the top of the frame, above the phone rather than over it. Each caption has one accent word in violet, such as “CAS.” or “automat.” The phone shows the proof; the caption says what it means.

An original score, cut to every tap and number. We wrote the music in code, at 120 BPM in D minor, with no samples. Each scene cut sits on a bar line, and every word, count, notification, tap and swipe lands on the frame of its sound. A sixteenth of silence comes just before the logo lands.

Vertical 9:16. It was in the brief, and it is the shape of Reels, TikTok and Shorts. It gives the phone most of the frame’s height, with the caption above it.

What we left out, on purpose#

A finance app lives on trust, so the film says only what the app already says.

  • No invented numbers. No user counts, reviews or other figures passed off as real. The figures are the app’s demo data: the example account, Andrei Popescu, from the client’s own presentation.
  • No personal details. We took the demo account’s email and phone off the profile screen.
  • No borrowed logos. Uber and Bolt appear as names, the way the app mentions them.
  • No claims beyond the app. The CAS alert, the tax estimate, the pre-filled payment orders and the missing-documents warning are all things the app does.
  • No store badges we could not link. We did not find the exact store links in the app’s code, so the end card names the stores in text, without the official badges.

What other app makers can reuse#

None of this is specific to accounting. For a demo of your own app, this is the list we work from.

  • Name your user or their problem in the first frame, in their words, with words on screen from frame zero.
  • Show the real app with demo data: rebuild or record your actual screens, and strip anything personal.
  • Give each feature one caption and about four seconds.
  • Put one accent word per caption in your brand colour.
  • Keep the interface text exactly as the app writes it; only the captions are yours to write.
  • Give every tap, count and notification its own sound, on the frame it happens.
  • End on the name, the one-line promise, the address and where to get the app.
  • Watch it once with the sound off before you post.

In loudscene, the Feature demo template puts one feature in a phone, tap by tap, with the hook in the first two seconds. Find it in the e-commerce and SaaS pack or on our page for SaaS teams. For the method, read how to turn your website into a video; for vertical safe zones, the Reels, TikTok and Shorts specs; for a 16:9 launch film, our CHIT case study.

Questions

Asked often.

What is MNM Nexus?

An accounting app for rideshare drivers in Romania who work as a PFA, a self-employed sole trader. It tracks income, estimates taxes, warns before the CAS threshold and keeps the PFA’s paperwork in order.

How long should an app demo video be?

For a vertical feed, about 30 seconds: room for three or four features at a few seconds each, plus an end card. MNM Nexus’s film shows four features and closes on the app’s name, address and stores.

Should I record my app’s screen or rebuild it?

Rebuild it if you can. Rebuilt screens stay sharp at any size, show clean demo data instead of a real account, and let each number and tap land on the beat. We rebuilt MNM Nexus’s screens from the app’s own code, so they match what drivers see.

Does an app demo need sound?

It has to work without it, because many people watch feeds muted, so the captions carry the story. Sound then adds to it: in this film every tap, count and notification has its own hit in the score.

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